FriendlyFlutes

FriendlyFlutes Newsletter -September
Welcome to the September FriendlyFlutes Newsletter
If you have any requests or suggestions for next months newsletter please do not hesitate to contact us -   newsletter@friendlyflutes.co.uk


-Monthly Tips - Assembling your clarinet-
 

Here is our guide to clarinet assembly. Techniques vary, this guide is designed as a reminder to avoid bad habits creeping in.

Prepare the Reed

A reed must be moist in order to perform. Try to get into the habit of holding the reed in your mouth while putting the clarinet together. By the time you are ready to fit the reed into the ligature it will be moist enough to play! Reeds are very delicate and be sure not to chew or bend it while in your mouth.

 

Greasing the Corks

If the corks are dry the clarinet will be very difficult to put together and take apart. They can be damaged over time by forcing the clarinet parts together. Usually only a small amount of cork grease is necessary to enable the parts to slide smoothly together. Newer instruments/cork will need more and more often, whereas older instruments may only need it applying every month or so. As important as applying cork grease, is removing any excess when taking the instrument apart. This can be done using a tissue or dry cloth. Excess grease on your corks can be a real problem - causing them to decay over time, will ruin the interior of your case and can easily get onto the body and mechanisms, causing unwanted stickiness and dirt.




Putting the instrument together

Using your left hand, take the lower section from the case. Use your right hand to remove the upper section, pressing down on the tone hole rings.  This will lift the bridge key and allow you to attach the two sections together with a gentle twisting motion. If cork grease is applied correctly this should allow a flush fit without excessive effort, avoiding the possibility of bending keys and damaging the cork!

Using a similar motion attach the bell to the lower joint, followed by the mouthpiece to the bell. Attach the bell/mouthpiece to the upper joint of the clarinet. Now check that everything is aligned, especially the mouthpiece - the opening should be at the back of the clarinet!

 

 

Attaching the Reed

The reed will by now be sufficiently moist. Taking it from your mouth, carefully place the reed against the mouthpiece. Line up the tip of the reed with the tip of the mouthpiece, allowing for a fingernails breadth of mouthpiece to show above the reed. Holding the reed delicately in place with one hand, place the ligature over the mouthpiece. The ligature will align with the two bands, which run around the mouthpiece, showing you where the ligature should sit.

 

When using a metal ligature the screws should be on the same side on the mouthpiece as the reed. Leather reeds attach with a leather band at the base of the reed and the screw to the rear.   Avoid over tightening the ligature, as this can damage the reed and the ligature itself, as well as reducing the degree to which the reed can vibrate.

At first this was all seem quite tricky but as you progress it will become second nature. However, this can be dangerous as bad habits can creep in and result in damaging your instrument over time. We recommended having a quick recap from time to time to make sure you're not cutting corners!

 

Damaged corks and bent keys result all two often from putting the instrument together too quickly. As always there is no substitute for being shown how to care for your instrument first hand by your teacher. If they haven't done so yet, ask them to show you how they put their instrument together. There is no 'correct order' as such, only bad habits to avoid!

 

For more advise or to clear up any points feel free to email us: maintenance@friendlyflutes.co.uk

 



-Featured Clarinetist of the Month-
 Richard Stoltzman


Two-time Grammy Award winning clarinetist Richard Stoltzman's virtuosity, technique, imagination, and communicative power have revolutionized the world of clarinet playing, opening up possibilities for the instrument that no one could have predicted. He was responsible for bringing the clarinet to the forefront as a solo instrument, and is still the world's foremost clarinetist.
 
Richard gave the first clarinet recitals in the histories of both the Hollywood Bowl and Carnegie Hall, and, in 1986, became the first wind player to be awarded the Avery Fisher Prize. As one of today's most sought-after artists, Richard has been a soloist with more than a hundred orchestras as well as a recitalist and chamber music performer, innovative jazz artist, and prolific recording artist. A two-time Grammy Award winner, he has amazed critics and audiences alike in repertory spanning many musical genres.


We are delighted that Richard has taken some time out from his busy schedule to do a quick interview for our FriendlyFlutes readership!


At what age did you start to play the clarinet?
I started at age 8.

What did you find hardest when you first started playing?
My early difficulties were covering the holes and playing in the upper clarion register.

What was your first clarinet?
My first clarinet was a Conn metal clarinet.

If you could give the beginner clarinetist one piece of advice what would it be?
Find good teachers and do what they tell you.

What is your favourite piece of music for the clarinet?
Debussy Premiere Rhapsodie
 

What types of music do you like listening to?
I listen to string quartets, big bands, and piano trios.
 

What has been your favourite performance/gig to date?
Some of my favourite performances include the Weber Concerto No. 2 with Christof Von Dohnanyi in La Scala, the Rautavaara Concerto with Lief Segerstam in Helsinki for the composer, the Takemitsu Concerto with Raphael Fruhbeck de Borgos in Vienna for the ocmposer, the Copland Concerto with Andre Previn in Carneige Hall for the composer and my first clarinet recital presented by Carneige Hall with Benny Goodman in the audience.

Thanks Richard!

For more on Richard, visit his website: http://www.richardstoltzman.com/



-This Month's Clarinet Highlights-
 
Below is a selection of clarinet concerts from around the country this month. Inspire or be inspired by professional clarinetists!
  • 26/09 Peter Nichols, Teatime Concert - The Holywell Ensemble with OXUS, Holywell Music Room, Oxford
  • 01/10 Julian Bliss, Opening concert of the Guildford Philharmonic's new season, Guildford Cathedral
  • 02/10 Tetbury Music Festival - Julian Bliss, Antoine Tamestit, and Roger Vignoles - Parish Church of St Mary the Virgin, Tetbury 
  • 03/10 Free BBC Radio 3 Vienna Passions Recital - Robert Plane, Alice Neary, Benjamin Tritt, BBC Hoddinott Hall, Cardiff
  • 08/10 Ken Peplowski Quartet - International star clarinettist and saxophonist from the USA, Henley Castle High School, Upton-upon-Severn
  • 10/10 Julian Bliss - Barely into his twenties, Julian Bliss has firmly established himself in the international arena. Wigmore Hall, London
*For further information on these events please "google" them*

-September Playlist-
 
If you can't make it to the concerts you can still be inspired by listening to some of the great clarinetists at home. This months playlist contains three classical and three contemporary pieces featuring the clarinet. 

  • Largo From Clarinet Quintet (London Concertante) - Mozart
  • Happy Clarinet - Luna Lounge, Giacomo Bondi
  • Arnold: Sonatina for clarinet and piano, Op.29 (1951),3. Furioso - Martineau & Johnson
  • Roma Dance, Albania - Laver Bariu
  • Debussy Rhapsody for clarinet & orchestra (L'Orchestra de la Suisse Romanade) - Gugolz, Ansermet
  • Clarinet Wobble - Johnny Dodds


***Listen now using spotify***
Click here to load the FriendlyFlutes Newsletter playlist onto your spotify!



-Maintenance Tips-

This month our maintenance section focuses springs and their effect on performance.



 

 
-FriendlyFlutes Community-


We're building a community of students and parents on our FriendlyFlutes Forum. Both adults and children are welcome on the forum, which requires a quick, free registration. The forum is fully monitored by ourselves to provide a fun and safe environment. We aim to be the first online community dedicated to flutes and clarinets in the UK, a place where musicians and their loved ones can share tips and ideas. It is also a great place to ask questions and get advice.

-Monthly Prize Draw-

Each month we will be giving away a musical related prize to a lucky member of the FriendlyFlutes Forum. This month's winner is Geoff from Cumbria who will receive a pair of Bone China, real platinum 'stars and clefs' mugs handmade by Music Gifts. Congratulations!



FriendlyFlutes are also on facebook! Become a fan of us and keep up to date with the latest news and concerts.



 
An archive of all newsletters will be regularly uploaded to our website: www.friendlyflutes.co.uk
 
 

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